The Forces Shaping Attractions in 2026

By Philip Hernandez
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A silhouette of a person looking at a digital data overlay of a roller coaster and global map, representing the strategic forces shaping the attractions industry 2026.

The Environmental Forces Shaping the Attractions Industry in 2026—And the Opportunities They Bring

When I sit down to write the yearly strategy plan for Gantom, I begin, as most do, with a SWOT and environmental analysis. I review top stories from 2025, industry research, and trend reports to identify the environmental forces shaping the attractions industry.

Those environmental forces inspired this week’s episode of Green Tagged, and also this newsletter.

We wanted to give you both the strategy (how to think about these forces) and the execution (the actual steps you can take). This isn’t a comprehensive industry report. It’s our read on the major currents and some ideas for how to position yourself to ride them rather than get swept away.

Capital Is Moving

The good news is that the construction pipeline remains active, and U.S. momentum should be enough to carry the domestic market through 2026. Moody’s notes that “the US economy has remained resilient,” supported by “strong consumer spending and investment in artificial intelligence (AI),” even as it moves into “the late phase of the business cycle.” That resilience is visible in the current slate of U.S. projects: Dollywood’s $50 million NightFlight Expedition, Universal Kids Resort in Texas (opening 2026), Netflix House’s continued expansion, new coasters across Six Flags parks, and Fast & Furious: Hollywood Drift at Universal Studios Hollywood. These projects reinforce Moody’s view that advanced economies will continue to grow—but only modestly. Overall, Moody’s expects advanced economies to expand at roughly “1.5% annually for the next two years.” Importantly, even Disney’s major U.S. plans fit this pattern. Projects tied to Disneyland Forward and the Magic Kingdom expansion are long-dated, phased, and structured to unfold well beyond 2026, with Villains Land widely understood to open in 2029–2030 at the earliest. These are not near-term acceleration plays; they are capital-smoothing, late-cycle commitments designed to preserve flexibility.
Data table showing Moody's 2026-2027 macroeconomic outlook for G-20 economies, used to analyze international capital shifts in the attractions industry.

The Biggest Bets Are International

While the U.S. pipeline remains steady, the largest new capital deployments are overwhelmingly international. Moody’s describes the global outlook as “mixed,” with “advanced economies growing modestly and emerging markets mostly maintaining stronger momentum.” That divergence is increasingly reflected in where major operators are placing their biggest bets.

The industry’s most capital-intensive projects sit outside the U.S.: Universal’s planned UK resort, Disney’s development in Abu Dhabi, large-scale destination builds in Saudi Arabia, Merlin’s Harry Potter expansion at LEGOLAND Germany, and Japan’s first permanent Pokémon theme park. These projects align with Moody’s expectation that emerging markets will grow at a rate closer to 4.0% annually, far outpacing advanced economies.

Global growth is expected to “hover around 2.5% in 2026 and 2027,” but that average masks wide regional differences. Capital is not disappearing—it is being redeployed toward markets with stronger long-term demand and government-backed development frameworks.

What We’re Watching (2026-2031)

This is a selected list of highlights we’re tracking, not a comprehensive industry report.

United States:

  • Dollywood’s NightFlight Expedition — $50M indoor coaster-rafting hybrid, largest investment in park history

  • Universal Kids Resort, Texas — Seven themed lands, 300-room hotel, opening 2026

  • Rock ‘n’ Roller Coaster Muppets — First Disney thrill ride featuring the Muppets, 2026

  • LEGOLAND Galacticoaster — $90M space-themed land at California and Florida parks

  • Fast & Furious: Hollywood Drift — 70+ mph outdoor coaster at Universal Studios Hollywood

  • Netflix House Las Vegas — Third location on the Strip, opening 2027

International:

  • Universal UK — £50B investment, 8.5M projected first-year visitors, opens 2031 in Bedford

  • Disney Abu Dhabi — Major new park in development

  • Universal Saudi Arabia — Early planning stages, Qiddiya destination

  • Harry Potter at LEGOLAND Germany — Merlin’s largest single-site investment ever

  • Pokémon theme park, Japan — World’s first permanent Pokémon park, opens February 2026

  • Six Flags Qiddiya City & Aqua Rabia — Already opening in Saudi Arabia

The Opportunity:

U.S. momentum can sustain near-term activity, but your growth will be limited if you rely solely on domestic projects. That means:

  • Ensuring your supply chain can support international projects

  • Building relationships with international operators now, before you need them

  • Understanding regulatory differences across markets

  • Investing in team members with international experience

The Great Fragmentation: Time Versus Money

Guest expectations aren’t just changing—they’re splitting into two distinct camps. Call it the K-shaped economy. Call it a generational shift. Whatever the cause, the effect is clear: design and pricing are being pushed toward opposite ends of the spectrum.

The Value-Minded Guest wants a full evening’s entertainment without nickel-and-diming. They’re exhausted from a full work week and won’t tolerate overcrowding, endless lines, or planning fatigue. They’ll pay—but they want it packaged as all-inclusive.

The VIP-Minded Guest has money but no time. They expect zero waiting and a premium experience. They won’t blink at price tags that would make the value guest faint.

Scott put it perfectly in our episode: “You may have to target either five $1 million tickets or $1 million of $5 tickets. You may not be able to be both.”

The Opportunity: Understand where your audience sits on this spectrum and reduce friction for them specifically.

For value-minded audiences, this doesn’t mean losing revenue—it means restructuring how you present pricing. Bundle your offerings. Make the sticker price feel honest and complete. Remove the surprise upcharges that erode trust.

For VIP audiences, invest in premium experiences, even if you sell only a handful. Halloween Horror Nights’ private tours, Disney’s guided VIP experiences, Horror Unleashed’s premium packages—these pay for themselves with just a few sales. Design for the VIP experience because the economics work even at low volume.

Creature Comforts Are Non-Negotiable

Here’s what guests won’t tolerate anymore: planning for necessities.

They expect quality food worth the price. Not carnival fare with restaurant prices, but actual good food they’d want to eat outside the park. Bad food is no longer just disappointing—it actively devalues the entire experience.

They expect sufficient, clean restrooms. They expect good merchandise. They expect shelter from the weather. These aren’t nice-to-haves. They’re table stakes.

Guests are also beginning to expect more premium experiences – Six Flags’ Conjuring experience proved this—guests showed they’ll pay premium prices for haunted attractions when the quality justifies the cost. The value equation isn’t about cheap versus expensive; it’s about fair value for what’s delivered.

The Opportunity: Audit your basic offerings with fresh eyes. Ask yourself:

  • Would I eat this food at these prices if I weren’t at my attraction?

  • Are restroom facilities sufficient for peak capacity, and are they maintained?

  • Does my merchandise reflect what guests want to remember about their visit?

  • If the weather turns bad, do guests have adequate shelter that maintains the experience?

Attractions with poor facilities signal poor value, regardless of how good the rides are. Fix the basics first.

The Museum Renaissance

According to the TEA Global Attendance Report, museums are having a moment. The reasons make sense: they’re indoors (protected from increasingly unpredictable weather), prices are typically all-inclusive (eliminating the planning fatigue we discussed), and they’re experimenting with IP in ways that feel fresh. The Franklin Institute, premiering “UNIVERSAL THEME PARKS: THE EXHIBITION” this year, shows how museums are borrowing from theme park playbooks while theme parks borrow their IPs.

Museums offer what outdoor attractions increasingly struggle to guarantee: a predictable, comfortable experience where the ticket price covers everything.

The Opportunity: Weather is becoming less predictable, not more. How are you planning for it?

This isn’t about building a museum. It’s about asking whether your attraction has adequate indoor components for when the weather goes sideways. Can guests still have a meaningful experience if it’s 105°F or pouring rain? Do you have contingency programming that maintains value when outdoor attractions close?

The parks that thrive in 2026 and beyond will be those that don’t ask guests to gamble on weather.

Trust Is Dead, Authenticity Matters More

In 2025, social media surpassed television as people’s primary news source for the first time, according to the Reuters Institute. Trust in institutions remains at historic lows. And now, with AI video advancing rapidly, people literally can’t tell what’s real. This creates both a crisis and an opportunity for how attractions connect with audiences. The Crisis: Polished, heavily produced content increasingly feels fake. Those cinematic trailers we spent years perfecting? They may work against you now. Research cited by Adweek shows that 77% of consumers prefer genuine, relatable content over polished posts, and 71% of Gen Z actively seeks out raw, unscripted material over professional productions. The Opportunity: Raw, authentic content is surging—especially on the platforms where guests discover attractions. Studies of both Oregon state parks and TikTok users found that younger travelers (Gen Z and Millennials) use Instagram and TikTok for destination discovery. And here’s what works:
  • User-generated content drives action: Oregon parks with highly-engaged geotagged posts saw 4-4.2% monthly increases in visitation. The kicker? Only authentic, user-generated content had this effect—professional productions showed zero impact.
  • Raw content generates 8.7× more engagement than branded content, according to AdWeek. As industry expert Dan Fleyshman puts it: “There will be 500-800% more engagement from a mobile phone than a fancy camera.”
  • Entertainment and interactivity matter most: A 2024 study of 412 Gen Z/Millennial travelers found that entertainment value and user engagement (likes, comments, shares) drove behavioral intentions—not production quality or information density.
For attractions, this means:
  • Show, don’t tell. Raw guest footage and user-generated content should be a staple of your strategy
  • Less polish, more personality. Behind-the-scenes content, staff personalities, real moments shot on phones
  • In-person experiences become more valuable. When digital reality is suspect, physical experiences that guests can touch, feel, and verify become premium
Important exception: Professional content still works on LinkedIn and formal business channels. For B2B marketing, polish signals credibility. But for consumer-facing attraction discovery? Raw authenticity wins. The brands that win in 2026 will be those that show up authentically, consistently, and recognizably human.

The Era of Uncertainty Remains

Trade policy uncertainty has spiked to near-record levels—higher even than during COVID—according to the Economic Policy Uncertainty Index. Consumer sentiment has plunged 28.5% year-over-year, with the University of Michigan’s Index of Consumer Sentiment falling from 74.0 in December 2024 to 52.9 in December 2025. Nearly half of consumers (46%) blame high prices for their poor personal finances—a level not seen since the early 1980s.

Line graph from the University of Michigan showing consumer frustration with high prices through December 2025, illustrating the "Era of Uncertainty" for 2026.

Tariffs remain unpredictable. Immigration policy shifts weekly. International tourism patterns are volatile. Political instability continues.

It’s a mess out there.

The Opportunity: We’ve done this before. We survived a pandemic that shut down the entire industry. The playbook hasn’t changed—it’s intensified.

Diversification is your hedge. Ask yourself:

  • If that new coaster costs 30% more due to tariffs, what’s your backup plan?

  • If international tourists can’t reach you, how do you make up that revenue with locals?

  • If your primary demographic gets squeezed economically, do you have offerings that appeal to different audience segments?

  • If your main season gets hit by unprecedented weather, do you have indoor alternatives or shoulder-season events?

Scenario planning isn’t pessimism—it’s a survival strategy. The attractions that thrive won’t be those that predicted the future correctly; they’ll be those that built flexibility to adapt to multiple futures.

Action items for 2026:

  1. Evaluate your international readiness. Even if you’re not working internationally today, could you if the opportunity arose?

  2. Know your audience position. Are you serving value-minded guests, VIP guests, or trying to do both? Stop hedging and commit.

  3. Audit your basics. Food, restrooms, weather contingencies. Fix what’s broken before investing in the next big attraction.

  4. Rethink your content strategy. Less production value, more authenticity. Show real people having real experiences.

  5. Build scenario plans. What’s your backup if costs increase 30%? If international tourism drops? If your primary season sees unprecedented weather?

The attractions industry has survived worse than uncertainty. We’ll survive 2026 too. But survival isn’t the goal—opportunity is. And in times of upheaval, the prepared don’t just survive. They thrive.

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Philip Hernandez

Philip Hernandez is a journalist reporting on the themed entertainment industry. He is also the CEO of Gantom Lighting and Publisher of both the Haunted Attraction Network and Seasonal Entertainment Source Magazine. Based in Los Angeles, co-hosts the Green Tagged podcast weekly.

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